Essays

Live Music Must Support Our Trans Family

The Diffraction wholeheartedly supports trans people and is filled with absolute disgust at the brazen quest from The Trump Administration to erase their existence.

How long should a show be?

There are good shows and bad shows, and while bands and audiences may not agree on which is which, they definitely have their opinions. For every Bruce Springsteen who views Herculean set times as badge of honor (or, maybe, just a really fun time), there are likely many bands groaning

A night in Ahmedabad

One of the reasons why I am insistent that this publication does its best to avoid material judgments on the merits of individual acts is because a) there are tons of venues for music criticism and b) the reason why live music draws so many people in is almost aside

In conversation with: Andy Cohn

I had the pleasure of reconnecting with Andy Cohn, who is co-founder and CEO of Shadrach, a music-focused boutique consultancy. He also served as president and publisher of The Fader, during a time period when it pioneered many live music/brand activations like the Fader Fort and long-term relationships with

What to look forward to in 2025

If you only looked at the top touring acts, you could be forgiven in thinking the state of live music is robust and well-off. Unfortunately several significant acts had to cancel their tours - or punt on America and keep their European legs - and several festivals kicked the can

Essays

Live music is a last defense against AI slop

I've yet to see a compelling case for how musicians or creative-curious entrepreneurs are going to replace the visceral thrill that is live music. While AI may thrive on order and a pursuit of perfection, live music will always be uncertain and chaotic.

Unsolicited Advice: Don't injure your favorite artist

While we acknowledge part of the appeal of attending a live concert is the chaos they bring and the uncertainty of the proceedings, we here at the Diffraction have some simple rules we recommend concertgoers follow. There are several you can quibble with, but, unless you're going to

Sort of Review

James Murphy is having the time of his life

The band, as is de rigor these days, played a setlist of 80% similar songs with a few rotating in and out. While I forever say Nancy Wang is the engine of the band, her laconic presence providing an anchor to the proceedings, the shows live and die by James Murphy's showmanship.

Essays

Secular church

Streaming killed the recording star, and bands need to hit the road to make the money they previously got through their albums and singles.

The Year in: Live music

We are fast approaching the end of 2024, and, live music remains a thing. Good for this just-launched blog. It was a pretty eventful year with reunions. Oasis Reformed The biggest news of the year is for a tour that has yet to launch. The lads from Manchester buried the

The Year In: Taylor Swift

Zero mentions of Travis Kelce (save for this one) contained within The two-year juggernaut Eras tour had a hold on the public consciousness unlike any other pop cultural phenomenon in recent memory. That we are still discussing her and her tour in year two - when it was mostly international

Welcome to the Diffraction

This is Keith O'Brien, proprietary of one or two newsletters you previously subscribed to. What you're about to read is a full-speed-ahead publication, of which I hope you will stick around. The Diffraction is a newsletter/publication about live music. Sound diffracts as it encounters objects,

Essays

Live Music is the past, present, and future

Live music, on the other hand, rekindles the connection between bands and audiences. It pays bands (relatively) well. If you are getting the door buster for pennies, you are hopefully buying the other stuff (going to shows, buying merch) for appropriate prices.

The Year In: Combatting scalpers

What is up for debate is whether the ticket companies actually do enough to combat the scalpers or whether they are earnestly trying to win and are failing desperately. Neither bolsters the reputations of Ticketmaster and the competitive set.

Unsolicited Advice

Unsolicited Advice: Remember the village

Have fun at shows, but not at someone else's expense. And do not be an irresponsible burden to the band or the people working the venue.

Unsolicited Advice

Unsolicited Advice: Let bands play what works for them

When it comes down to it, complaining about album-specific tours is just arguing about sequencing.

News Featured

No mirage - the Oasis reunion

Oasis or mirage. Time will tell, but I'm confident the lads will put on a show.

Requiem For

Requiem for: Pitchfork Music Festival (in) Chicago

Pitchfork Festival leaves Chicago (for good?), but could something beautiful and new spring up in its wake?

Unsolicited Advice

Unsolicited Advice: Clearly communicate your show times

Venues and concert promoters should provide clearly available intel for those who disregard the above and just want to see the headlining band. It's not a lot of work! There's only two steps.

Backyard Coachella Featured

My Backyard Coachella: Keith O'Brien

If you had the power to throw a backyard Coachella with six bands, who would you pick?

Unsolicited Advice

Unsolicited Advice: Water should be free

Water for free for everyone at a concert should be nonnegotiable. Feel free to offer expensive bottled options, but there should be plenty of water fountain/stations for everyone else.

News

A tale of two spectacles

Banking so much of your cache on reforming defunct acts inevitably leads you here. You eventually run out of the willing and able acts, then transition to the ones accepting the pay days and the ones that, in all honestly, should not be headliners.

Unsolicited Advice

Unsolicited Advice: See a band you don't know

Make a habit of seeing a local show of a band you've never heard of. You are directly supporting live music, and are able to enjoy the experience with zero expectations.