A sort of requiem: SXSW
SXSW was truly ahead of its times, then it wasn't. So it goes.
News that SXSW is abandoning ship paring down its music program, saving its energy for film and technology is not, on one hand, surprising news. The rise of independent and corporate festivals throughout the country and more creative touring schedules means high-quality concerts are closer at hand to more people than maybe ever before in history.
It's been awhile since SXSW Music felt buzzy or important. But, like all other institutions, it's still gutting and surprising when they fall lose luster. Witness this video from Saturday.
News that SXSW Music was shutting down for good spread through social media like wildfire, only to prompt a correction from organizations hours later. The show lives on, but for two days instead of five.
A quick primer/reminder: SXSW Music started in 1987 as a sort of local music industry event, but popularity begat more acts and the bolting on of the film and tech conferences in 1991.
Eventually, the tech and film (and now comedy, games and food) started first - making the music festival feel somewhat paradoxically like a breath of fresh air and a bad hangover for anyone who stayed for both weeks (raises hand).

As the startup CEOs and film directors left, the bands would show up - hoping their showcase or stand-alone show would be the one to attract the right person that could change their lives.
Throughout its history, people have been claiming it was passe/over/jumped the shark



From an attendee perspective, the show was a meatgrinder - especially if you were in the industry and had offers to attendee VIP shows off the grid. As SXSW got bigger and corporatized, bands would just show up and play wherever they could - whether or not it was associated with the actual festival.
There were some pioneering and interesting use of showcases, like countries sending some of their promising new acts, and blogs curating shows with their favorite pet bands. But, inevitably, corporations took notice and oversaturated the party. The open individuals shows where you could discover your favorite new band were now just diversions to the big mega show featuring a guest artists playing in branded pop-up spaces. Overcrowding and tensions with locals increased. What was ostensibly all about emerging acts became a cool thing for established acts to show up at. Then, suddenly, you look up and wonder what the point is.
It's definitely fun to look back at the lineups to see who you were excited to see and who is still an ongoing concern. When I went in 2008, I was so excited to see Times New Viking, The Stills, Robyn, Atlas Sound, and Asobi Seksu - more than half of those bands are no more. But that's less about SXSW than it is about the shifting sands of time.
Anyway, SXSW is downsizing. Can't say it's a surprise, but can definitely say it's a shame. But nothing stays golden forever.